or Bartok Pizzicato: aggressively snapping the string so that it hits the fingerboard (used by composer Béla Bartok) creates a loud percussive event Testa or Punta d’arco: play with the tip of bow a light, ethereal soundĪl Tallone: play with the frog of the bow (opposite of the tip end) can be good for hard and aggressive down strokesĪrco: play with the bow usually used after a pizzicato passage Normale: return to ordinary or normal playing technique Sul Ponticello: play near the bridge - creates ethereal dissonant overtones with a scratchinessĬon Sordino: play with a mute on the strings - darker with reduced harmonicsĬol Legno Tratto: play with the wood side of the bow a very soft sound a special effect player will often use part wood and part bow hairs in combinationĬol Legno Battuto: strike the strings with the wood part of the bow a percussive sound Sul Tasto: play over the fingerboard - results in a softer sound with less body and harmonicsįlautando: flute-like sound that often results from playing Sul Tasto But after witnessing the rise of our current state, the degree of political disarray and corruption, and the dismantling of civility in public discourse - Europe is lookin’ pretty sweet.īelow is a list of articulations and playing techniques you may come across as you navigate the ever-growing list of string sample libraries available: (references listed below) The fact that musical expressions are written predominantly in the Italian language in American scores, is due partly to a lingering Euro-centrism, habitual practices and because they just sound good in Italian, rolling off the tongue in a rhythmic asymmetry that sounds musical in itself.Īs an American, I once criticized the Euro-centrism that has dominated our culture from the very beginning. The inharmonicity disappears when strings are bowed because the bow's stick-slip action is periodic, so it drives all of the resonances of the string at exactly harmonic ratios, even if it has to drive them slightly off their natural frequency.Anyone that has used a string sample library has encountered a variety of terms, usually in Italian, relating to string articulations. The inharmonicity of a string depends on its physical characteristics, such as tension, stiffness, and length. This complex timbre is called inharmonicity. ![]() When a string is struck or plucked, as with pizzicato, sound waves are generated that do not belong to a harmonic series as when a string is bowed. For details of this technique, see palm mute. ⁕On the guitar, it is a muted form of plucking, which bears an audible resemblance to pizzicato on a bowed string instrument with its relatively shorter sustain. ⁕On a keyboard string instrument, such as the piano, pizzicato may be employed as one of the variety of techniques involving direct manipulation of the strings known collectively as "string piano". This produces a very different sound from bowing, short and percussive rather than sustained. ⁕On bowed string instruments it is a method of playing by plucking the strings with the fingers, rather than using the bow. The exact technique varies somewhat depending on the type of stringed instrument. ![]() ![]() Pizzicato is a playing technique that involves plucking the strings of a string instrument. ![]() Freebase Rate this definition: 0.0 / 0 votes
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |